Tuesday, January 20, 2015

The Canon Made Simple

In the grand scheme of things, the original publications which featured Sherlock Holmes are fairly prolific. There are 56 short stories spread out across five collections as well as four full-length novels. When you compare that to a character such as Bram Stoker's Dracula, who only appeared in one published work, but has taken on just as large a life and following, it's actually sort of surprising. Due to the extensiveness of the Canon, it may be believed among some there is an intense continuity between stories and characters. And while there is some to an extent, the Canon is actually fairly simple. Of those 60 original stories, almost all of them can be classified into five major categories. Today, I'll take a look at these categories and explain how the Canon is really a lot more simple than meets the eye.

The victim of A Study in Scarlet
#1 - The Murder Mystery - Unsurprisingly, the most common type of story found in the Canon is the murder mystery. It's probably the most common type of mystery overall, and with the emergence of the thriller as the modern-day genre of choice, the murder mystery is becoming increasingly popular. The murder mystery of today usually deals with a hunt for a psychopathic serial killer, but Doyle's mysteries were a little more grounded and realistic. Holmes' debut, A Study in Scarlet is a murder mystery with emphasis placed on the background and motive of the murderer. In fact, most of the early Canonical stories follow this same set-up. The Boscombe Valley Mystery, The Five Orange Pips and The Crooked Man all feature a murder as their central predicament, the culprit is discovered (is some cases quite easily) and the remainder of the tale provides a background of sorts.

Doyle was at his best when his murder mysteries had a bit more heft.  The Speckled Band and The Problem of Thor Bridge are both excellent examples of an impossible crime. The first half of The Valley of Fear also features a nicely-plotted impossible crime, while the second explores the character's motivations, much like Doyle's earlier efforts. And, there are some stories which at first glance may not seem to be murder mysteries, but in fact are. For example, The Six Napoleons begins as a curiosity, but Holmes' interest is not piqued until blood has been spilled. Take also The Hound of the Baskervilles. On the surface, it's a Gothic horror novel (and an excellent one at that), but at heart Holmes is investigating a single murder.

Holmes confounded by The Musgrave Ritual
#2- Crack the Code - Unlike the previous category, this one is actually the most rare in the Canon, but should be considered on its own since some of the best-loved of the original stories can be found herein. What's more, some of Doyle's tightest plots all belong to this category. What is it? Holmes and Watson must put their deductive reasoning to the test as they decode ciphers or puzzles in an effort to bring about the truth. There are only really two examples of note: The Musgrave Ritual and The Dancing Men. One could argue that the code-breaking scene which appears in the first chapter of The Valley of Fear could qualify, but as I noted above that novel truly is a murder mystery.

The Musgrave Ritual is truly the best example of a Canonical code-cracking mystery. The Ritual itself contains cryptic clues to the whereabouts of great riches, and it's only with Holmes' keen deductive ability is he able to deduce its whereabouts. The Dancing Men starts out with the same scenario, the dancing men code having to be cracked by Holmes, which he does without too much assistance. The case eventually becomes one of murder, but I chose to include it in this second category as the dancing men figures, and the code which they represent is really the most memorable aspect of the short story. However, by combining two of these categories, The Dancing Men proves to be one of the strongest stories, and one of my favourites.

#3- Something/Someone is Missing - This category is also prolific, and features some of the Canon's strongest stories as well. The name of the category is pretty self-explanatory with Holmes searching for a missing object (more often than not state documents of the highest order; see The Naval Treaty, The Second Stain and The Bruce-Partington Plans) or a missing person. However, other items of value disappear with starling frequency elsewhere in the Canon, especially large, lustrous diamonds. Both the Blue Carbuncle and the Mazarin Stone go missing in the case of the Canon, as do the jewels from the Beryl Coronet.

When it comes to people, it's odd that only six disappeared throughout the Canon. What's more, it's an arguable point, but the missing persons adventures are not always the strongest. The Man with the Twisted Lip is a notable exception, having one of the more clever solutions to a missing persons , but inquiry, but stories such as The Noble Bachelor and The Missing Three-Quarter hardly stand out as great representations of Doyle's story-telling ability.

Apprehending the felon in The Three Garridebs
#4 - What's Going on Mr. Holmes? - Without doubt the most vague category, this encompasses the most stories aside from the murder mystery category. Basically, Holmes is contacted by a client who has just experienced a most unorthodox situation and believes the world's foremost criminologist can be of some assistance. Holmes investigates, usually discovering some criminal activity, and with the aide of the police apprehends the felon. This is not always the case, but more often than not, it is. While these stories can be considered formulaic and extremely similar (The Red-Headed League, The Stock-Broker's Clerk and The Three Garridebs are in essence the same plot), a lot of them are extremely entertaining and quite clever.

The stories which break the aforementioned formula invariably stand out as the strongest of this category - that's not to say that The Red-Headed League is bad, in fact it's quite good as it was the first of it's kind. Stories such as The Copper Beeches and The Solitary Cyclist are both creepy, atmospheric tales, and truly exemplify the mysterious nature of this category. I argue that the stories found herein are some of the best as they offer the most puzzling incidents for Holmes to sort through. As a writer, Doyle was excellent at coming up with interesting concepts and he was able to utilise so many of them here. While they're not all great (few people are prepared to defend The Blanched Soldier or The Creeping Man), this category arguably stands out as the most original and creative of the Canon.

From The Illustrious Client
#5 - Stop the Bad Man - Another fairly minor category, but must be included for the fact that it introduces a number of memorable characters to the Canon. Perhaps the best example of this category is The Final Problem. This category doesn't find employed to solve any particular mystery, but to use his brains to bring a criminal to book. That is a perfect summation of The Final Problem as the detective will use any means possible to bring Moriarty to justice. These stories are exciting, often dark and intense, and show use a side to the detective which isn't glimpsed too often. This is the Sherlock Holmes who will take the law into his own hands should he find it right to do so.

Aside from introducing us to James Moriarty, this category also presented us with Charles Augustus Milverton, the master blackmailer and "worst man in London." Culverton Smith,poisoner, is presented in The Dying Detective, where Holmes feigns being at death's door in order to get a confession from the medico, and Von Bork, the German spy is the focal point of much of His Last Bow: An Epilogue of Sherlock Holmes. As you can tell, the villains of the piece are the real memorable characters found herein, which shows the reader that Doyle was excellent at creating antagonists for whom Holmes can duel. Perhaps the most memorable (aside from Moriarty) is Baron Gruner who appeared in The Illustrious Client, who surely holds the title as creepiest Canonical villain.

So, there we have it. Five categories into which each of the stories can be filed. In some cases there are overlaps, but hopefully this little analysis makes the Canon seem a little simpler. I should add one last item: despite my nitpicking here and there and grouping the stories together, I am by no means trying to demean Doyle's ability as a writer. All of his stories are well written and executed, and of course without him, we wouldn't have the world's greatest detective.

Tuesday, January 6, 2015

Peter Cushing Month Returns!

I couldn't keep this a secret any longer, and what with it being the beginning of a new year, I thought I would give my readers something to look forward to. I had a tremendous time watching and reviewing Peter Cushing-related films last May in honour of his 101st birthday, so I thought why not do it again to celebrate the great actor turning 102 this May?

What films will be included in the line-up this year? There I will keep you in suspense. However, one of the reasons I wanted to make this announcement so early is I hope for your input. If you're a Peter Cushing fan and have a movie in mind that you'd like me to take a look at, please do not hesitate in leaving a comment below and I will try and add it to the watch-list.

In the meantime, you can click here and read the articles which pertained to last year's Peter Cushing Month.

Friday, January 2, 2015

Review - "Moriarty"

I hope that I have made it clear on this blog that I really liked Anthony Horowritz's Sherlock Holmes novel, The House of Silk. The plot and presentation of Doyle's characters was exceptional, making it one of the best pastiches in recent memory. Perhaps due to the fact that I enjoyed his novel so much, I was a little disappointed to learn that his follow-up novel, Moriarty, would not feature the great detective in anyway.

All the same, I was interested to read Horowitz's novel and hoped that it would reach the high expectations which I'd set for it following The House of Silk. So, how did Moriarty fare? Let's take a closer look...

The novel begins in 1891. Sherlock Holmes is presumed dead following his struggle atop the Reichenbach Falls with Professor James Moriarty. The novel's narrator, Frederick Chase, an investigator for the American detective agency, the Pinkertons, is dispatched to Switzerland after a body is recovered from the Falls' basin. There Chase meets Scotland Yard inspector Athelney Jones, and together they investigate the corpse. The two discover a slip of paper concealed on the dead man, addressed to Moriarty, which leads them to believe they have found the Napoleon of Crime. The paper alludes to a meeting between Moriarty and American crime boss, Clarence Devereaux, who Chase has pursued to London. Chase and Jones return to London and begin their investigation, entering a dark world of murders and unexpected twists.

I really do not want to give away too much of the plot since it is surprising on its own, and I wouldn't want to be the one who spoiled it for you. Suffice it to say that I should have had no qualms about Horowitz's plotting. The story moves along at swift pace, easily pulling you into the narrative. Like his first Sherlockian foray, Moriarty is a dark novel,and surprising violent in places. So, the reader with a weak constitution should be warned.

In the absence of Holmes and Watson, Horowitz has created the characters of Frederick Chase and Athelney Jones. Chase makes for a fine narrator and proves to be a complex character. Jones is not an original creation, having appeared in Doyle's The Sign of Four. After having been shamed by Holmes during the course of that investigation, Jones studied the great detective's methods, and practices them during the course of the novel. In this way, Jones substitutes for Holmes, and does an admirable job, unraveling the tangled plot which is woven through the book's pages.

In some respects, Moriarty can be viewed as an inverted Sherlock Holmes story, telling the story of an investigation in the Sherlockian universe from the police officers' perspective. These scenes were surely the novel's strongest, perhaps the greatest set-piece occurred as Jones and Chase discuss the case with other inspectors at the Yard who cropped up in the Canon. Seeing characters such as Inspectors Lestrade, Gregson, McDonald and Hopkins all under one roof brought a great smile to my face. And like The House of Silk, Horowitz proves to have a tremendous grasp of the Canon with a number of asides and references to the original stories. He did make one tiny error by saying that Inspector McDonald had never met Sherlock Holmes, though the two worked together in The Valley of Fear, which was set some two years before the events of this novel.

As I noted above, if I'm being vague I'm doing so intentionally. The plot is thoroughly surprising, with a well-implemented pot twist which I didn't see coming, but in retrospect I certainly should have. I am happy to say that Anthony Horowitz has succeeded in producing a fine follow-up to his first Sherlockian foray, with an intense, interesting plot, and likable original characters. Therefore, I award Moriarty 4 out of 5 stars.

Friday, December 26, 2014

Review - "Doctor Who - Last Christmas"

Warning - This review will contain spoilers

I was of the opinion that the inclusion of Santa Claus at the end of the Series 8 finale, Death in Heaven, shattered the morose and downbeat atmosphere which the episode invoked. Therefore, I went into this year's Christmas special with some mixed feelings. Would Father Christmas interrupt yet another episode's atmospherics? Let's take a closer look at Last Christmas.

After meeting Santa Claus (Nick Frost) on her rooftop, Clara (Jenna Coleman) is spirited away by the Doctor (Peter Capaldi) to the North Pole. A group of researchers stationed at the base have fallen victim to an alien race known as the Dream Crabs. When under the Crab's power, the victim enters a dream-like state and cannot separate reality from dreams. Soon, the Doctor comes to understand that their situation is more dire than he could anticipate and that Father Christmas may be their only hope for survival.

It is collective opinion of many Doctor Who fans that showrunner Steven Moffat is at his best when he's writing stand-alone episodes,ones which do not have to relate back to the overall arc of the series. I am in inclined to agree and I select Last Christmas as evidence of this. This Christmas episode managed to be quite intense and suspenseful, something which surprised me as most Christmas specials are lightweight in tone. Last Christmas is arguably the darkest Christmas special thus far - the characters' uncertainty about whether they are dreaming or not added real gravitas to the story. What's more, I'm sure I wasn't the only one who got a chill up their spine during Clara's dream sequence; a chalk board looming in the background foretelling her death if she didn't wake up.

"Nobody likes the tangerines"
Performances were, as expected, excellent. Peter Capaldi's Doctor has undergone a slight change in personality.Perhaps it was just the festive holiday spirit, but the Doctor seemed far less angry and uncaring. There was the occasional moment of true aloofness, but I wouldn't be surprised if the Twelfth Doctor's heart of ice continues to melt throughout Series 9. Jenna Coleman gave a genuine performance as she confronted her feelings about Danny Pink's death from Death in Heaven. I'm also happy with Clara returning for Series 9. She's been a good companion thus far - I only hope that she doesn't take centre stage too often like she did in Series 8, when the focus should have been on Peter Capaldi's still-developing Doctor.

As to guest star Nick Frost as Santa Claus, I couldn't help but feel that his contribution to the episode was inconsequential. This was of course a fault of Moffat's script and Santa darts in and out of the action with startling frequency. He turns up in the end to save the day which felt like a tremendous deus ex machina, and that's about it. However, Frost's line delivery was nice and he managed to make the fabled Father Christmas a humane character with some incredibly witty dialogue. Also, seeing Capaldi's snarling Doctor getting into a heated confrontation with Santa was a sight which had to be seen to be believed.

I don't think Last Christmas can be called the best of the Doctor Who Christmas specials, that honour going to A Christmas Carol, but it manage to feel large and epic, unlike last year's festive offering The Time of the Doctor which promised to be made on an epic scale, but felt small. Exciting in execution, the episode manged to be an intense, emotional ride. I cannot give it full marks as Nick Frost's Santa Claus seemed out of place and really took much of the emotional weight out of the proceedings. Therefore I give Last Christmas 4 out of 5 stars.

Saturday, December 20, 2014

Review - "Sherlock Holmes and the Horror of Frankenstein"

There are certain characters who Sherlock Holmes has run across a number of times: Dracula, Dr. Jekyll and Mr. Hyde, Arsene Lupin etc. However, there is one literary character with whom the great detective has seldom matched wits - Frankenstein and his Monster. This in retrospect, this makes some sense. Mary Shelly's novel is not set in metropolitan London, and it set some seventy years before Holmes took up his magnifying glass and deerstalker. However, that doesn't mean that some authors haven't tried to combine this famed characters into one story. Luke Benjamin Kuhns' Sherlock Holmes and the Horror of Frankenstein does just that. How does it fare? Let's find out...

It is 1885 and a spat of grave robberies have startled London. Sherlock Holmes, in the midst of a bout of great ennui, is disinterested in case. That is until he's approached by Inspector Bradstreet of Scotland Yard. It seems that at the scene of the latest grave robbery, a night watchman has been murdered. His curiosity sufficiently piqued, Holmes and Watson begin their investigation. The murdered man's face betrays signs of tremendous horror, and upon further investigation Holmes discovers a giant footprint nearby. By the detective's estimation, the man's murderer was at least eight feet tall. Who is the murderer? What do they want with the bodies, and is there a connection with the infamous Dr. Frankenstein?

Despite the fact that this graphic novel shares a title with one of Hammer horror's lesser-known works, it owes more to the style of the Universal horror films of the '30's and '40's. There's a genuine sense of mystery, adventure and horror mixed into the plot. Plot tropes from Universal's films are mixed in from the mad scientist and his lab. I won't spoil the story, but one character who appeared in one of Universal's most famed Frankenstein films turns in a wonderful appearance here. Despite its horror story trappings, author Luke Kuhns manages to weave an excellent Sherlockian plot and his presentation of the characters through dialogue is excellent. I am not very familiar with Kuhns' writing, but this makes me interested to look into more.

As I mentioned above, this is a graphic novel. Illustrator Marcie Klinger did an excellent job in capturing the Gothic atmosphere of the story. The artwork is dark and evocative and very nicely detailed. However, I was rather surprised to find Sherlock Holmes dressed in a standard twentieth-century trench coat though!

Without giving away too much plot, Sherlock Holmes and the Horror of Frankenstein gets around the logistical problems of combining these two famous stories by acting as a sequel to Mary Shelly's original. For fans of Frankenstein, some of the characters some of the original novel pop up in flashback and fill in some of the gaps. In this way, the story is able to work on its own without trying to limit itself to the confines of a previously-published work. I applaud the original story telling, especially since I had no idea what to expect going into the graphic novel.

In all, Sherlock Holmes and the Horror of Frankenstein is a very surprising work. Author Luke Kuhns is obviously well-versed in both his Sherlockian and horror film knowledge. With an interesting, original plot, and moody (though at times anachronistic) artwork, the graphic novel comes recommended from me. I give it 4 out of 5 stars.


Sherlock Holmes and The Horror of Frankenstein is available from all good bookstores including   Amazon USA, Barnes and Noble USA, Amazon UK, Waterstones UK, and for free shipping worldwide Book Depository. In ebook format it is in Amazon Kindle, Kobo, Nook and Apple iBooks (iPad/iPhone).

Thursday, December 11, 2014

The Top 10 Sherlock Holmes Pastiches (Of All Time) Part II

Let's not waste any time and proceed at once...

#5 - The Whitechapel Horrors by Edward B. Hanna - It would be an understatement to say that Sherlock Holmes has faced off against Jack the Ripper a lot in fiction. Two films, countless novels and even a video game feature this premise. However, one version of this oft-told story stands out above all the others - Edward B. Hanna's The Whitechapel Horrors, surely the finest book to feature the world's greatest detective matching wits with history's most famous killer.

Written in the third person as opposed to Watson's narration, Hanna's narrative manages to weave in a great deal of historical content into his fascinating story. Many of the theories regarding the Ripper's identity are explored within the book as Holmes and Watson move through a tangled web towards the truth. The late Hanna was clearly well-up on his Sherlockian knowledge as there are many references to the original works and each chapter opens with a quote from the canon. For a devout Sherlockian, The Whitechapel Horrors is simply brimming with Sherlockian goodness from start to finish. With a page-count which exceeds 400 pages, it's easily the most thorough Holmes vs. Ripper novel ever published, and one which is sure to impress both the Sherlockian and the Ripperologist.

#4 - The Tangled Skein by David Stuart Davies - Aside from plots which find Sherlock Holmes squaring off against Jack the Ripper, the other most common literary encounter is the great detective meeting the king of vampires, Count Dracula. The concept has been a multitude of times, but perhaps the best representation of this concept is David Stuart Davies' novel, The Tangled Skein. Set after the events of The Hound of the Baskervilles, Holmes' pursuit of the very-much alive Jack Stapleton soon lead him to encounter Dracula himself on the Devonshire moorlands.

The Tangled Skein is part Sherlock Holmes novel and part Hammer horror tribute (which is probably why I love the book so much). The twisting, turning story-line is deftly woven and despite the overt supernatural elements inherent in the plot, the book still feels true to its Doylean origins. For those interested, Big Finish Audio adapted the novel as part of their Sherlock Holmes series, and I cannot recommend it highly enough. The brilliant music, sound effects and performances from Nicholas Briggs and Richard Earl heighten the already fantastic plot, and one is liable to feel a cold shiver pass through their spine while listening. In all, if you're looking for a pastiche to sink your teeth into (pun intended), look no further than The Tangled Skein.

#3 - The Giant Rat of Sumatra by Richard L. Boyer - "The story for which the world is not yet prepared" is without doubt the most famous of all the untold Sherlock Holmes adventures referenced in the canon. Dozens of variations on the concept have seen print, but the version penned by Richard Boyer is a work of sheer genius. Few writers have captured the original Doylean style of writing the way Boyer did, and presents his characters faithfully.

When a seaman drops dead on Holmes' doorstep, Holmes and Watson are drawn into a complex mystery which surrounds a mysterious ship called "The Matilda Briggs." Investigating further, the duo soon discover a link to a recent kidnapping and will face an old foe in doing so. What is so impressive about the plot for The Giant Rat of Sumatra is that it is a genuine mystery, with clues dropped all the way through which only the most keen of readers will see. Oftentimes, a pastiche leans towards being an adventurous novel, which is fine, but it's fantastic to see an author craft a truly intricate mystery for the great detective to solve. That's not to say that there is no adventurous spirit in the novel - the climax in particular is quite dramatically realised with its fantastic twist ending. I do not want to divulge too much as much of the fun of The Giant Rat of Sumatra is being lead on the same path to discovery as the detectives.

#2 - The House of Silk by Anthony Horowitz - I think part of the appeal of The House of Silk is that it was penned by an author of a high calibre. What's more, Anthony Horowitz shows that he is a genuine fan of Arthur Conan Doyle and the original stories in his pastiche, surely the best Holmes pastiche of recent memory. Advertised as Holmes' darkest case, the claim is certainly true. While investigating a man's claim that he is being pursued by a dangerous criminal, Holmes and Watson become entangled in a web of devilry and deceit. They are faced with one seemingly unanswerable question throughout their investigation: what is the House of Silk? Little do they know what dangers the pursuit of that answer shall bring.

Horowitz's fidelity to the canon is excellent with fine portrayals of the principle characters. His tone does differ at times from Doyle's, but Horowitz fill his pages with references to the originals which are sure to warm the heart of any Sherlockian. The plot is tense and incredibly suspenseful, putting Holmes and Watson in a number of truly compromising situations. And Horowitz's prior experience writing for Agatha Christie's Poirot and Foyle's War comes into play as he manages to pull off when the greatest twist endings in any pastiche I have ever comes across.

And (drum roll please)...

#1 - The Veiled Detective by David Stuart Davies - Writing a pastiche is a difficult enough task. Writing a pastiche which tries to do something very different with its central characters is another matter entirely. But David Stuart Davies managed to pull it off wonderfully in what I believe to be the greatest Sherlock Holmes pastiche I have ever read. The Veiled Detective makes for absolutely compulsory reading once you've started.

The premise finds a medical doctor named John Walker hired by Professor Moriarty to spy on a detective named Sherlock Holmes. Assuming the name Watson, Walker moves into Baker Street and together the two begin work together as detectives, embarking on some of their most famous cases, the real details of which are finally made public. The Veiled Detective portrays its central figures in a different light - all are flawed, very real human beings. The original plot aside, the novel is a brilliant character study and allows the reader to examine the close friendship between Holmes and Watson in a way which has not been possible before. I was blown away by this book when I read it for the first time some four years ago and it has left a tremendous impact on me to this day. If you're interested in a fascinating character study of the world's greatest detective, The Veiled Detective is highly recommended.

As always, I open it up to you now. What do you think of the list? Did I leave one of your favourites off? Feel free to leave a comment below.

Thursday, December 4, 2014

The Top 10 Sherlock Holmes Pastiches (Of All Time) Part I

It is nearly impossible to list every single Sherlock Holmes pastiche which has ever been published in some form. There are a myriad of them in film, television, audio and print form. Having already examined movies and television, I'm excluding those from this list and focusing mostly on Sherlock Holmes novels or short story collections.

#10 - The Seven-Per-Cent Solution by Nicholas Meyer - Without doubt one of the most widely-known pastiches, Nicholas Meyer's novel brought the detective back into the limelight, and though not the first pastiche, turned the Sherlock Holmes pastiche into a literary sub-genre. Meyer boldly decided to present an alternate version of the original canon in his novel, deciding to inform readers what really happened during Sherlock Holmes' presumed death.

In the thralls of cocaine addiction, Holmes begins to persecute his old maths tutor, Professor Moriarty. Knowing that Holmes is doing harm to both the Professor and himself, Watson manages to lure the detective to Vienna to see Sigmund Freud. Freud will work to cure Holmes of his addiction, but no sooner has the treatment begun than Freud, Holmes and Watson are thrown into a case. Meyer's novel is fast-paced and engaging as he managed to capture Doyle's original tone excellently. The story, while aggravating to the most devout Doylean, is an interesting alternative history, and the novel is written with such conviction that the story line is not too far fetched. As I noted above, The Seven-Per-Cent Solution was not the first Sherlock Holmes pastiche, but it made writing them popular and the novel became a bestseller, ultimately spawning two (lesser) sequels and a beloved film adaptation.

#9 - The Exploits of Sherlock Holmes by Adrian Conan Doyle & John Dickson Carr - This collection of short stories has the distinction of being authored by Conan Doyle's own son and master mystery writer John Dickson Carr. Together, the two collaborated on a series of short stories, each one based on references made to untold stories from the canon. What resulted is a milestone in Sherlockian history, and some of the finest crafted short stories in the detective's long literary history.

Though there are some stories which are easily forgettable in the collection, some make worthwhile reading on their own. "The Adventure of the Black Baronet" concerns an impossible mystery and a family curse which Holmes must solve in order to acquit a wrongly-accused woman. In "The Adventure of the Seven Clocks," Holmes must determine why a mild-mannered man becomes enraged at the mere sight of a clock, and discovers political implications in the case. And in "The Adventure of the Deptford Horror," Holmes and Watson face another locked-room puzzle, and a means of committing murder which made my hair stand on end when I first read this collection. Written in an extraordinarily authentic voice, The Exploits of Sherlock Holmes are some of the finest Sherlock Holmes short stories which I have ever happened across.

#8 - The Ordeals of Sherlock Holmes by Jonathon Barnes - Though the only pastiche that is not a published book on this list, this Big Finish audio drama simply had to be included. Writer Jonathon Barnes has created four, interconnected cases from four periods in the great detective's career. Holmes and Watson will face danger at every turn as they take on what amounts to be one of their most epic adventures.

The Ordeals of Sherlock Holmes is truly a story of epic proportions. Each of the four hour-long audio recordings are set in a different decade, beginning with Holmes just starting his career as a consulting detective and ending with the detective having long-since retired. The mysteries are truly engaging and thrilling, complimented by Nicholas Brigg's excellent turn as Holmes, and Richard Earl's remarkable reading as Dr. Watson. Big Finish has crafted some excellent Sherlockian offerings, but The Ordeals of Sherlock Holmes is certainly among their best. (As an aside, Big Finish's next Jonathon Barnes-scripted Sherlock Holmes series, The Judgement of Sherlock Holmes is to be released later this December.)

#7 - Dr. Jekyll and Mr. Holmes by Loren D. Estleman - In the pastiche world, it's fairly common for two literary characters to meet. One of the best examples of this is Loren D. Estleman's Dr. Jekyll and Mr. Holmes which brilliantly weaves Holmes and Watson into the plot of Robert Louis Stevenson's original novella. Though the twist ending of Stevenson's story is known the world over, it's fascinating to see the original portrayed as a mystery once more, and part of the suspense and enjoyment of the story is seeing Holmes piece together the clues to come to the inevitable conclusion.

Estleman presents a very authentic Sherlockian voice, which adds further to the pastiche. Holmes and Watson are presented remarkably well as are Stevenson's characters, and their interaction is seamless. Taking no liberties with the original Dr. Jekyll and Mr. Hyde, Estleman has managed to create one, unique plot which doesn't feel disjointed in any way. It is interesting to note that Dr. Jekyll and Mr. Holmes was Estleman's second Sherlockian foray - his first being the rather melodramatically titled Sherlock Holmes vs. Dracula. Much like the novel which followed it, Sherlock Holmes vs. Dracula incorporated Sherlock Holmes in the plot of Bram Stoker's novel, but not in the same flawless manner as this pastiche.

#6 - The Scroll of the Dead by David Stuart Davies - This particular pastiche will also hold a special place in Sherlockian heart as it was the first pastiche I ever read. David Stuart Davies, one of my favourite Sherlockian writers, has written what is perhaps the most exciting, action-filled novel of its kind. Matching wits with a maniac, Holmes and Watson must use all of their resources as they hunt down an ancient Egyptian papyrus which claims that it can raise the dead from their graves. As they embark on their dangerous mission, the duo do not who they can and cannot trust.

The Scroll of the Dead is an un-apologetically exciting novel. It is filled throughout with set-pieces which make for exciting reading, linked together by a complex plot, wrought with twists, turns and suspense. Throughout, Davies writes with an unmatched replication of Doyle's original making The Scroll of the Dead (for all of its outlandishness) feel like an original Sherlock Holmes novel. It's an overall fun, exciting read which should thrill and delight any Sherlockian.

So, we've come to the end of part one. Come back next week as I look at the top five best Sherlockian pastiches. As we enter the holiday season, maybe you'll find the ideal gift for that Sherlockian on your list...