I have already had the chance to review this remarkable film once before on this blog as part of Peter Cushing Month last May. I encourage you to click here to read that review as I'll be filling in some of the gaps from that previous review.
Of course the main attraction in the film is Christopher Lee's Dracula. Interestingly, the vampire count is side-lined for much of the film and in fact he has only sixteen lines of dialogue and speaks to only one character. However, Lee's Dracula pervades the remainder of the movie, making the most of his limited screen-time. Lee's Dracula is perhaps the most animalistic ever committed to the screen, his red eyes perpetually blaring and his fangs dripping with blood. Seldom has Dracula been so unnerving and creepy, and certainly far-removed from the debonair, well-cultured Bela Lugosi of the 1931 film.
Of course the other high point of the cast is the ever-welcome Peter Cushing as Van Helsing, vampire hunter extraordinaire. Of all the actors to play Van Helsing who has appeared on this list (including next week's choice), Cushing is perhaps the best. He's the most far-removed from Stoker's original conception, but Cushing's athletic and quick-witted Van Helsing makes for an excellent hero, and also sometime of a prototype for his fantastic portrayal of Sherlock Holmes. Cushing and Lee contribute greatly to the sense of bombast which runs all the way through the film. The final act in particular are a series of chases and fights which keep the film's energy up to the brilliant, awe-inspiring conclusion.
|A study of red-eyed ferocity|
Next was Dracula Has Risen from the Grave. The film is probably the best-looking of Hammer's Dracula movies; scenes wreathed in fog and coloured filters which lend an eerie, fairy-tale like quality to the film. The next, Taste the Blood of Dracula is my personal favourite Dracula sequel. Lee's Dracula has the smallest role of any Dracula film, but it's a well-mounted, visually-stunning film and surely the nastiest sequel thus far. It's also the turning point in the Dracula series as the films which followed dropped in quality. Arguable the lowest point in Hammer's series was Scars of Dracula which tried as hard as possible to compete with the increasingly gory horror films released in America, but the effort was in vain and what transpired is a plotless, unsatisfying film. Hammer decided that Gothic horror was no-longer in vogue in the early-'70's, so the studio transported Dracula into the 20th century with Dracula A.D. 1972, a fun film made cringe-worthy by the dated '70's references (I never thought I'd hear dialogue like far out and groovy in a Dracula film). The last film, The Satanic Rites of Dracula combined vampire lore with spy thriller and science fiction, but ultimately failed to succeed.
Though some of Hammer's sequels are entertaining in their own right, none can eclipse their brilliant first effort. Peter Cushing and Christopher Lee head a strong cast in an exciting and creepy version of Bram Stoker's novel. Check back next week as I celebrate Halloween with my favourite Dracula film, perhaps the most stylish and atmospheric version ever committed to film.